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aci25:

La falta de educación tan  grande que existe en nuestro país. Por eso existe tanta criminalidad y  los valores se han perdido por la basura que abunda en los medios. Si leyéramos mas libros y viéramos menos  basura en la televisión seriamos un país mas productivo, educado y menos ignorante.

aci25:

La falta de educación tan grande que existe en nuestro país. Por eso existe tanta criminalidad y los valores se han perdido por la basura que abunda en los medios. Si leyéramos mas libros y viéramos menos basura en la televisión seriamos un país mas productivo, educado y menos ignorante.

cavetocanvas:

El Velorio (1894)-Francisco Oller
Francisco Manuel Oller (1833-1917) was a major Puerto Rican artist whose portraits of governors and slaves and landscapes of sugar plantations and peasant shacks celebrate both the island’s natural beauty and its social strife. A friend to the great French artists of the late nineteenth century, he took part in the French avant-garde movements of Realism and Impressionism. Oller is cited as the only Latin American painter to play a role in the development of Impressionism.
Although he lived for many years in France and Spain, Oller always returned to Puerto Rico. “Francisco Oller was the first painter to ponder deeply on the meaning of Puerto Rico,” wrote Haydée Venegas inFrancisco Oller: Realist-Impressionist, the catalogue of a 1983 Oller retrospective at the Ponce Art Museum in Puerto Rico. His paintings of island life convey a strong, but not uncritical, passion for his native land. Oller’s work was a “profoundly moving perspective on the virtues and defects of the Puerto Rico of his era,” wrote Carlos Romero-Barceló in Francisco-Oller: Realist-Impressionist. Oller was inducted into the Order of King Charles III of Spain and exhibited in Spain, France, Vienna, and Cuba, but much of his art was lost after his death.
(Submitted by  staceymaryjane)

cavetocanvas:

El Velorio (1894)-Francisco Oller

Francisco Manuel Oller (1833-1917) was a major Puerto Rican artist whose portraits of governors and slaves and landscapes of sugar plantations and peasant shacks celebrate both the island’s natural beauty and its social strife. A friend to the great French artists of the late nineteenth century, he took part in the French avant-garde movements of Realism and Impressionism. Oller is cited as the only Latin American painter to play a role in the development of Impressionism.

Although he lived for many years in France and Spain, Oller always returned to Puerto Rico. “Francisco Oller was the first painter to ponder deeply on the meaning of Puerto Rico,” wrote Haydée Venegas inFrancisco Oller: Realist-Impressionist, the catalogue of a 1983 Oller retrospective at the Ponce Art Museum in Puerto Rico. His paintings of island life convey a strong, but not uncritical, passion for his native land. Oller’s work was a “profoundly moving perspective on the virtues and defects of the Puerto Rico of his era,” wrote Carlos Romero-Barceló in Francisco-Oller: Realist-Impressionist. Oller was inducted into the Order of King Charles III of Spain and exhibited in Spain, France, Vienna, and Cuba, but much of his art was lost after his death.

(Submitted by  staceymaryjane)

(Source: hanhyuga)

friendlyatheist:

voodoo-ray:

HAHAHAHAHAHA

Pwned.

friendlyatheist:

voodoo-ray:

HAHAHAHAHAHA

Pwned.

fruckoff:

shit.

micarteraesnarnia:

a-paper-anchor:

(credit:  http://a-paper-anchor.tumblr.com/  )

fuck you

(Source: thefallenapex)

bebimarie:

deja de ser tan bella

bebimarie:

deja de ser tan bella

(Source: yourejustpaper)